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You must write content here, they told me. Submit your offering to the Google gods, they said. Your content will only be deemed worthy of pimping when you dress like the whore you are.
"Travel inside the stories of your mother's erotic surrealism. Sell your soul for great profit. I'm not joking!" they said.

This is the part of the story where a striking guitar would come slapping in with quick, staccato hits and a wah pedal giving it all the atmosphere of a high action porn flick from the 70s. A sudden flash from the horns ensures that you are aware of a triumph beyond the exhilarating tension. A steady drum beat keeps everything rolling with an energetic intensity.

Whilst all of this is happening, our so-called hero would be presented to us in a highly sepia-fied montage of quick action cuts that cement his heroism and determination in both catching the so-called bad guy and raising a toast to his colleagues.

Finally, the fast-paced music would strum out its relieving climax to the image of our hero striding up the steps to the police station alongside their partner and with a nod they enter the double doors and our narrative launches.


At least, that’s how this story might begin if it were presented to you on a television set and involved someone entirely unlike PC Percy Perkins and set in a completely alternate location to his home town in Cornwall. But this is not TV, and this story does follow PC Percy Perkins. And so, Percy slowly toddled up the steps of the police station where he worked to start his day; no partner in tow and accompanied not by music but by the vicious yelling of the hovering seagulls screaming abuse like, ‘Squeal piggy’.


PC Percy Perkins is a gentle-mannered copper - that is, policeman. He’s a product of his environment; a public servant fashioned by disciplining teenagers that he has accosted outside of Sainsbury’s into handing over the fizzy cola bottles they’ve shoved into their pockets to the point of overflowing. For all of the public funds wasted on Percy’s pay packet, he performed his largely useless duties with unsquashable pride.

It was a pretty town on the seaside named Falmouth that Percy and his colleagues were tasked with patrolling to serve and - when truly pushed - to protect.

It was morning. PC Percy Perkins stepped out of the police station to embrace the clear skies and magnificent sunshine with a pained wince. He breathed in the possibilities of the day ahead and as he came onto the road, he stopped and looked both ways. To his left the road led up a hill and over the crest lay the centre of the town. To his right the road wound along the water and into another village.

If Percy had been able to see over the crescent of the hill to his left he would have seen an elderly lady named Jemima Bemumbaclart making her way along the pavement wearing a many-tiered, pink coat made of a strange material that flapped in the wind.

The old lady hobbled her way along the road narrowing her eyes at every junction, seeming to judge the very concrete she walked upon. Were anyone there to witness her they might have remarked at the raw mischief emanating from the pores in the skin of this elderly lady.

Of Course, PC Percy Perkins could not see over the hill at the old lady nor did he decide to begin his patrol in that direction.

Instead, in the same way that all great adventures begin for a man; Percy turned right and walked down the road.





In walking right, Percy had found himself patrolling the small seaside village of Penryn. It sat next to Falmouth the way an angry wart sits on the side of a headmistress's nose. Now, that may sound offensive to head mistresses, the people of Penryn, and possibly also to warts and so I should clarify: “Sits next to Falmouth the way an angry wart sits on the side of a headmistress’s nose” was the official slogan given to the town and it was written beneath the village’s name on the large sign welcoming drivers into Penryn.

The possible offense of this description had not gone unfelt by the locals and the town council had held many meetings to replace it. Unfortunately, the council was chiefed by a certain Ned Blattenhatter. Ned was a miserable man who was incredibly angry with the simultaneously enraged wart on the outside of his left nostril - and he’d be damned if he was going to go through it alone.

At one town meeting the vote to replace the town’s slogan had been split down the middle. The arranged council were arguing amongst themselves in an attempt to persuade at least one person to their respective side when Ned suddenly screamed in anguish, halting the room’s debate in the process as those gathered there stared at him stunned. The silence was pierced by a tiny, but evidently infuriated, voice which seemed to be saying, ‘Keep the slogan you damned heathens. Keep it I say’. Everyone was shocked by the miniature yet abrasive voice. Searching for the source of the protest they eventually noticed a tiny mouth had formed on top of Ned’s wart and was spluttering pus and obscenities at them. The wart had come to life and swayed the consensus. They never discussed the issue again.

However, this is besides the point - not that there is a point, it is simply besides it.

PC Percy Perkins, or PCP as he was known amongst the people, strolled through the centre of Penryn. He waved at Daisy Phlegm the florist, he smiled at John Pieper the pasty maker, he winked at Terry Titt the newsagent, and he performed a slow cartwheel in front of Graham H. Astonbury the local drunk then blew a raspberry at him. Graham urinated over himself where he lay in response.

Percy stopped to admire Graham’s nobility with a smile and as he watched Graham’s coat turn dark he felt a figure approaching from his side. ‘Ere, PCP. What’s with all this ham going about town the day?’ He turned to face Daisy Phlegm the florist and frowned. ‘Sorry Daisy, I haven’t the faintest what you mean. What’s all this about ham in our town?”

Daisy lifted up her skirt and placed a bunch of petunias that were encumbering her inside so that she could gesticulate her arms rabidly around. ‘Look over there,’ she threw an arm up towards the street which Percy had just walked down. His eyes popped out of his head. The road was littered with ham slices, there were sinews lining the buildings and a traffic jam had built up behind a pile of ham at least 5 foot tall in the middle of the road.

Percy took off his hat and scratched the single hair in the centre of his head. “Well I never. I sure missed that, though I don’t know how.” Percy’s gaze drifted between the various arrangements of ham filling up the long road. ‘Grrrhhhhhhh,’ groaned Graham H. Astonberry. Percy and Daisy nodded solemnly in agreement with his statement.

As the three of them stared at the state of things, a huffing and a puffing sound approached them, getting louder by the second. Percy looked down the road to see his walkie talkie sprinting towards him. As it reached the PC it bent its little legs and leaned down taking in huge breaths. Percy picked it up and poked it firmly in its right eye - a very bloodshot eye - and spoke loudly into its ear. ‘Hello? Hello? What what. PC Percy Perkins here. What’s the situation?”

Percy released the eye of the walkie talkie which blinked quickly before opening its mouth wide. “What? what? Hello. We’ve received a line from Butcher Bill and he’s missing a whole damned pigs worth of ham slices. I don’t suppose you’ve seen or heard anything over in Falmouth’s wart, Perkins?”

Percy shared a knowing glance and a small smirk with the walkie talkie before stabbing its eye again with his forefinger. “I’m on the case, whoever you may be. I believe I have a lead.” Percy let the walkie talkie slip mindlessly from his fingers and it hit the ground with a grunt before dusting itself off and walking away looking miserable.

The PC walked into the road to investigate the huge ham pile that was causing the traffic to build up. He picked up a slice and smelled it at first. Then he licked it. Then he smelled it again. He raised his nostrils into the air and as he rotated his head around his nostril began to vibrate in the direction of Falmouth town. “Gotcha,” he said out loud but very much to himself.

Percy went running off down the road.


Shortly after setting off from Penryn, on the road connecting Falmouth to its wart, the PC’s nose lost its trail. He stopped abruptly and investigated his position. In front of him the road continued to the Police Station and then on to Falmouth. Behind him lay the road to Penryn. To his right was an impassable hillock. And to his left was a small lane leading to the car park of a Pets at Home megastore.

A lightbulb appeared above his head before gravity took its toll and it smashed down onto his helmet. He brushed the glass from his shoulders and followed the lane down to the entrance of the store.

The lights were off inside of the Pets at Home. He peered in through the windows but couldn’t make out anything through the darkness. It seemed that no one was around. He was about to turn and walk away when he noticed a small light flash in the far end of the warehouse. The light quickly turned off again but moments later it turned back on. The light continued to repeat its little jig and so Percy decided to investigate. He found the door locked but reasoned with himself that this grave matter needed to be put to bed. And so he slammed his body against the double doors in front of him.

The door swung open before him and he came crashing inside, toppling over a glass container of exotic frogs. As he slowly rose to his feet the frogs went belching past him into the daylight outside. As the frogs hopped out of the door into their newfound freedom, the last to leave turned its head back towards Percy and it saluted him.

Percy brushed himself down and walked through the rows of animals towards the back of the store where lights were now flickering on and off rapidly, exhibiting something resembling panic.

He passed a sad looking alligator with a tear in its eye. He passed a bear which winked at him then licked its lips. He passed Robert De Niro writing his own name in excrement across the glass of his enclosure.

Finally, Percy reached the back of the store and found the windowed door which revealed the flashing light beyond. A sign on it read, “Staff and Crocodiles Only!”, in big red letters. That’s hardly reassuring, Percy’s brain said. Shush, he responded.

Breathing in confidence and a faint whiff of meat, Percy stepped through the door and looked around. He had to take the details of the room in through brief glimpses as the light continued to flash off and on. It seemed unremarkable. There were tables, chairs, notes, a few computers, some human cadavers, a noticeboard and…

Percy squealed the way his momma taught him to and began hurriedly looking for the light switch so that he could regain control over his vision. He spotted it in the corner and noticed that a long shadow trailed from the switch. Then he followed the long shadow and saw that at the end of that shadow was another, much larger shadow about the size of a man. Percy shrieked once more and turned to run out of the room.

‘Wait!’ a voice shouted after him. ‘PCP? Is that you?’ The lights ceased their flickering and a steady hum illuminated the room in full display. Percy turned, shivers still lining his spine, and faced the man-sized shadow. What he saw was a man in a black uniform and a helmet that looked remarkably like Percy’s own costume.

‘Bloody hell, Constable Haffear. You could’ve given me a hernia you devil. What in the name of Dick Cole are you doing here and why are you messing about with the lights?’

Constable Haffear looked pale as a raw pancake and seemed to be shuddering. ‘PCP, thank Dick Cole it’s you. I was called out to investigate a domestic dispute between two of the staff at this Pets at Home. A croc and a young girl who’d been seeing each other on and off, apparently. When I arrived the manager seemed in a hurry and ran out of the door, leaving me here on my lonesome. I came in here to speak to the staff but there was no-one in here, just…’

The constable stopped speaking and began to shake. His eyes fell upon the bodies with their chests torn open, lying on the table in the centre of the room. Percy walked over and patted the constable on the head. He seemed to relax, sticking his tongue out and panting lightly.

‘It’s alright Haffear, I’m here now. Seems a nasty business afoot here, I mean; what in the blazes has happened to these chaps?’ Percy shook his head and then his face dropped and he abruptly scolded the constable, ‘and what in the Charles Dickens were you doing with the light stupid boy?!’

The constable looked down shamefully. ‘Oh PCP, I’m sorry about that miserable old business. When I got here and saw the bodies, see; I was so frightened all on my own that my body seemed to take on a life of its own. My arm just reached out and started turning the lights on and off. I asked it to stop but it just grinned at me and said, ‘this is right horrorshow me droogy’. We watched an omnibus of Clockwork Orange and Saw at the weekend, it’s my own stupid fault. I know how impressionable my bloody limbs can be, I should have never let him stay up late watching chillers like that. Oh dearie me.’ The constable started muttering to himself and shaking his head.

Percy handed him a tissue with a sneer as Constable Haffear began to whimper and dribble snot from his nostrils. ‘There there, Haffear. Look I think there’s more important matters at hand than your arm’s drama club. There’s murder afoot!”

As he spoke the door swung open and in walked the station’s Police Chief and the Chief Detective. The four of them looked around at each other, nodded at each other and all, except for the sobbing constable, spoke.

‘‘Ello.’

‘‘Ello.’

‘‘Ello.’

‘Waddawee.’

‘Haffear.’

‘Then.’

‘Percy.’

Police Chief Then and Detective Waddawee stepped into the room and examined the bodies. ‘Heard there was a ruckus, should’ve known you two would be involved,’ Detective Waddawee glared at the two constables in turn.

‘Thank you, detective,’ Percy spoke sarcastically. ‘I’ve just arrived on the scene. I’m investigating a case of missing ham from Butcher Bill’s. My leads led me here where I found Constable Haffear here on his own matters.’

The detective scoffed, ‘I’ll have you remember I am a detective, Percy. I’m well aware why you’re both here, that was hardly a difficult deduction. It’s all been written out plainly across multiple pages right above this one. When me and the Chief Inspector read about the bodies in this story we knew this was above your station and our work was required. So what I would really like to know is why in the Devon there are two dead bodies on this table?’ The detective nodded towards the table.

‘Well if you’re so well read sire, then you’ll know that we have no bloody clue. Why don’t you ask them yourself?’

The detective raised an eyebrow at Percy. Then he leaned in and whispered to the body closest to him. ‘Excuse me, Mr. Corpse. Could you please enlighten me as to what you are doing here and how you got to be in this state?’

The four men stood there in silence for a moment and then there was a creaking sound. Slowly the corpse closest to Detective Waddawee lifted itself up onto an elbow and turned to look at him. ‘Finally! I thought no-one was going to ask me. Two whole days I’ve been here, two days!’ The corpse threw its other arm around with weak exasperation. ‘I would love to tell you how I came to be in such a sorry state, detective. I was one of the staff here at Pets at Home, you see.’

‘I see,’ the detective gulped.

‘I worked here for fourteen years. Fourteen years!’ the corpse shouted, spitting out strands of ambiguous flesh as he spoke. The detective’s eyes widened in astonishment and disgust. Chief Then, however, frowned with impatience and gestured towards the corpse. ‘Yes man, go on. Tell us everything.’

‘Fourteen years I worked here and it was fine. Barely a complaint. When we emancipated the crocodiles back in 2012 did I say a word? Of course I bloody didn’t. I thought it was an incredible mistake but I bit my tongue and carried on my work like any employee who values their job should. When we started hiring the bloody crocs in 2015, which we’d only freed from slavery here 3 years prior, did I speak up? No I didn’t. To each his own I said.’

The corpse nodded with what seemed to be a sense of pride. ‘And then, last year when one of the crocodiles was put up for the role of manager I didn’t even mumble at it. He won, of course.’

Percy nodded. ‘Yes I remember it well. The Falmouth Packet were exuberant over the story. They were touting Falmouth as a new wave bastion of equality. It was a pretty spectacular moment.’

The corpse rolled its eyes. ‘Yes, well; It was only the flippin’ crocodiles wasn’t it. We were still enslaving human children for free labour. As if the equality of ancient reptiles is top of our societal inequalities list! I knew women at this very store who were being turned down for jobs because they didn’t wear enough powder, and then we started hiring the bloody crocs!’

Chief Then coughed conspicuously. ‘Okay, we’re all well aware of the complexity in the Crocodile Rights Movement. Please will you get to the part where you were murdered, post sir.’

‘Ah yes. My apologies, my gracious, living audience.’ The corpse nonchalantly flicked away a maggot which had begun crawling out of his exposed right lung. ‘So last year this croc took charge. Everything was fine for a few months. To be honest, the croc seemed a preferable leader to the back-breaking jobsworth we’d had to work under before. Our lunch breaks were extended by 15 minutes, we had new vending machines installed in the staff room full of delicious snacks, and he regularly took us out on a Friday evening for a slap-up meal, all expenses paid.

‘So life was good; really good for a while. Then suddenly we turned up to work one day and Susan Flogganugget wasn’t there. Susan never missed a day's work. She loved coming in and wrestling with the wolves and playing catch with the tigers. After a week, me and the rest of the staff started to get worried. We spoke to the croc boss and he didn’t say a word, they never do. When we asked if he had heard from Susan Flogganugget his eyes just skipped suspiciously around the room, like a toad chasing a fly.

‘Next week, we turn up to work and there’s a new girl just started. Name’s Zanzibar Strepsil, she says. Come to replace Susan, she says. Heard Susan’s gone to Hawaii to start a new life with a saxophonist, she says. Okay, we says.

‘Things are cool again for a while. We keep working and we keep enjoying these new perks of the job under croc control. I was getting pretty fat at this point but what do I care? It’s a good life. I feel like some sort of king being fed so good.

‘Anyways, the months go by. It starts to become a recurring event - people turning up to work one day then disappearing forever the next - but I’d stopped questioning it at this point. It’s funny how quickly you get used to something strange like that when it keeps happening. We even came to expect it. I just switched off after a while.’

The corpse seemed to shudder as though it were letting out tears, though the only thing visible from its eye was a brightly coloured beetle nibbling at the surface of its cornea. The four living men in the room all stood staring at the corpse as it spoke. Its animation and horrifying image was barely a concern to them at this point. They were enraptured by the mystery of the missing people and gazed on with greedy eyes, their minds licking their lips at the knowledge being offered to them. The chief began shaking his head rapidly and asked the corpse if it would carry on its tale to which it solemnly nodded.

‘Two days ago is when I suddenly realised what was going on. What a fool I was! How did I not see it coming? I don’t know. But here I am now. A festering pile of death, far too late to save myself or the others. But I can put a stop to this now. You see, my new curious friends; it was the croc all along! Of course it was. We were blinded by the glut of our own bellies. What we understood to be perks of our new management was in fact the croc feeding us up with the intention of serving us up to his chums!’

The four policemen gasped and enormous shock pushed their bulbous eyes to the limits of their sockets. They then quickly breathed out again upon tasting the foul air which had been circulated by the rotting corpses in the room. The corpse continued talking without noticing the men rasping breath around him.

‘After their release the crocodiles took to the underground for a long while, as you well know. We assumed they just preferred it down there but by Dick Cole we should have known. The Devons! They were plotting their vengeance. After a few years of subterranean life they re-emerged and made their efforts to re-enter society. But their plan all along was to infiltrate society and eat us!’

‘Of course, it’s our own fault. We should have seen it coming. We’d been locking the beasts up for years to poke them and strangle them. To pull at their maws in the name of entertainment. That arsehole Steve Irwin certainly did us no favours.’

The corpse looked around at the four men with all the sincerity that a man making eye contact with only one-and-a-half eyes can. His face became as close to stern as he could manage. His mouth parted in as much as a gaping hole can part.

‘You have to stop the crocs. They’ve made some kind of arrangement with Butcher Bill. They take from the staff here and at various other local pet shops and zoos. They kill us and then they serve our meat out as ham and sell it. The crocodiles buy up most of it but god knows who is unwittingly eating our own kind!’

Chief Inspector Then glanced at the members of his humble force standing around the room and nodded to each of them in turn. They all understood and went jogging out of the door in a line.

“Hey, could you turn the light back out before you go? It’s really hard to fall a-dead with the light on?” No-one heard the corpse. “Owhhh,” he groaned.



The four coppers arrived at the butcher’s shop shortly later and they gathered themselves into a small circle on the pavement a short way up from it.

Chief Inspector Then spoke quietly. ‘Butcher Bill’s in there now. I can see him through the window. He appears to be alone which is good. If this goes south there’ll be no-one to get caught in the crossfire.’

The two constables raised their eyebrows at the chief. ‘Sir?’

‘Oh yes that’s right, neither of you are armed, are you?’ The chief shook his head. ‘Here, both me and Waddawee have spares you can use. But in the name of Dick Cole, be careful with these. They are to be used to force compliance from the subject, not to be fired unless under extreme circumstances.’

The two constables nodded as their new weapons were passed into their hands. Percy weighed the y-shaped stick in his hand, turning it around and surveying the wooden finish. He pulled on the elastic and looked down it, in between the parting branches at the top. ‘Nice,’ he grinned.

‘Okay boys, we need to be careful. We don’t know if Bill has crocs hidden in the back that we’ll have to deal with. Eyes alert. We go in together, we come out together with Bill in cuffs. Now eyes on the storefront and we enter on my say-so.’

The four men sneaked towards the large glass window in front of the store. Bill watched them from inside the store, scratching his head and wondering why the four policemen were prone on the pavement and crawling towards his store in plain sight.

They quickly leapt up and ran into the store in file, aiming their stones at Bill and pulling their elastic tight. The four of them were all shouting words at the butcher so quickly that he couldn’t decipher what any of them were saying individually. Combined it sounded to him like, ‘Hey you you there oi mister hey whoa now better oh you better get on your going down mother hands in the ground now or shoot be sorry and a mighty fine day to you!’

Doing his best to follow all four sets of instructions Bill bent over and raised his legs in the air, standing on his hands and spreading his feet wide to try and show they were unarmed. Chief Inspector Then gestured his chin towards Percy who proceeded to walk behind the counter and placed handcuffs over both of Bill’s ankles.

‘Please read him his rights, Percy.’

‘Butcher Bill, we are placing you under arrest for suspicion of serial murder with intent to distribute illicit materials to unwitting victims. You have the right to remain silent but depending on which jail we decide to send you to it might be a very long ride and so anything you do say may be used to pass the time in conversation with myself or another officer.’

Bill fell to the ground, legs intertwined. Tears were building in his eyes. ‘It was only a matter of time. I knew you’d find out eventually, but you have to believe me I was forced into it. You’ve seen a crocodile’s teeth? Imagine having them around your neck. That’s what they did to me. They said I had to prepare their meat whenever they asked or else the jaws would come snapping down. I had no choice.’

Chief Inspector Then snorted. ‘That may well be the case, Bill. That’s for a judge to decide. You’ll have your time to spit. For now, you’re going down. We’re putting a stop to this abhorrent business and ensuring no poor soul ever walks home with a packet of wafer thin human meat again.’

‘No, no, no! I would never sell it to another human. I knew exactly which row was pork and which wasn’t. I have plenty of regular crocodile customers and they’re the only ones I gave the human meat to, I swear it. I was made to do it, I’m not a monster,’ Bill blubbed.

‘We’ll deal with the crocodiles in due time, Bill. We’ve got to take you away. You know that.’

Detective Waddawee elbowed the chief and leaned in towards him. ‘Chief, you remember that crocodiles aren’t under our jurisdiction. We have no legal basis to go any further than this. People are going to want someone to be held accountable for this. We’re going to have to send Bill down. He’ll take the bullet, so to speak’

The chief fired daggers at the detective with his eyes. ‘Shut up Waddawee, let the man have some hope. He doesn’t need to know. And what do you know about bullets?’

Detective Waddawee from his forehead and rubbed it with defeated contempt then waved at Constable Haffear to take Bill outside. ‘Come on Haffear, let’s get him down to the station and get in touch with a pen.’ The two men filed out.

As the Chief turned to leave Percy reached an arm out to pull him back and asked, ‘Chief, one moment please. Though the meat being sold here was clearly illicit and wrapped up in some deeper, troubling business... there is still a matter of my investigation to clear up. Be they slices of man or not, the butcher shop was robbed this morning.’ Percy then scratched the single hair on his chin. ‘Though come to think of it, why would Bill phone it in, knowing the chances that any investigation could lead to him being found out?’

The Chief’s lips parted and a lit cigar slowly slid out until it sat there, perched and puffing in his mouth. He took it in his hand. ‘I don’t know Percy, and frankly I don’t care. Maybe the guilt got to him. Perhaps he wanted to be found out and thought we could help him with the crocs. Whatever happened to the missing meat, it doesn’t matter now.’

Percy’s eyes fell to the floor and he nodded. The Chief walked out. Percy’s spirit felt unwell. The wrapping up of the developing investigation didn’t satisfy him whilst his initial search was left unfinished. A man of honour; Percy felt it was his duty to close his case. He puffed up his chest, lifted his shoulders up high, and allowed his sullen look a hint of determination. .

Then his eyes landed on a piece of ham lying on the counter and he quickly deflated. Looking around he saw he was alone and an overwhelming urge overtook him. He reached down, popped the wafer thin slice of ham into his mouth, and chewed thoughtfully. It tasted good. His head rotated and his frown quite literally turned upside down. I wonder what that was, he thought. ‘Oh well, I suppose it doesn’t really matter what happened to the ham anymore,’ he decided and whistled nonchalantly walking out of the shop to join the Chief playing hopscotch in the road.


Meanwhile, on the other side of town; Jemima Bemumbaclart sat down at her dinner table. Her coat hung on a hook behind her and it had gained some sizable holes in its strange, frilled fabric since we last saw her. Where the gaps were revealed in the coat, a web of hooks could be seen attached to each other in what was quite clearly a framework for the strange fabric. In fact, on closer inspection, sharp metal points could be seen sticking out of the whole coat, which seemed to reflect the light in the room with a slimy sweat.

The phone attached to the wall next to her started ringing. Jemima picked it up and gave it a hullo. A frail voice spoke down the line in whispers. Jemima wheezed, ‘You say they’ve taken Butcher Bill into custody?’

The voice spoke again and Jemima’s eyebrows raised. ‘Have you heard what he’s done?’

The voice responded with a negative and Jemima chewed her lip. ‘And what about us then?’

Whatever the voice said, Jemima’s chest heaved with relief. ‘Okay. You enjoy now, Nina. I’ll speak to you soon.’ Jemima hung up the phone to her friend Nina, a peculiarly clumsy woman who lived in Penryn. Jemima and Nina were incredibly close and did everything together. The neighbourhood would gossip that the two of them were in a lesbian relationship. But then, the neighbourhood would gossip about a lot of things.

Nina had a habit of dropping everything about her person whenever she had anything to hold. She had become notorious with her husband for attending to the shopping and then arriving home with two empty plastic bags. Her husband would then be tasked with walking all the way back to the shop and collecting everything that Nina had dropped in hedges, on roads, and sometimes into children’s mouths on her way home.

The neighbourhood would gossip that Jemima and Nina were in the business of petty crime. But then, the neighbourhood would gossip about a lot of things.

As Jemima settled into her seat she smacked her lips together, wet with satisfaction, and her glazed eyes rolled over the stack of ham on the plate before her.


  • Feb 18, 2022

You enter a supermarket, any supermarket. Chris Isaak's Wicked Game begins to play over the tannoy. The aged lady behind the tobacco counter wistfully winds a single moustache hair over her ring finger. A spotty teenager trails his hands over the melons as he walks down the fruit aisle. He pauses, places a tip against his nose and shoots mucus from his left nostril onto a banana. He rubs it into the yellow flesh and winks at you. Chris Isaak's Wicked Game continues to play. Your mother dances in the corner, eyes closed. A Spanish man winds her between his arms, stretching her out and folding her back in. She's dressed in red and entirely nude. She spots you and looks into your eyes. "What a wicked thing to do, to make me dream of you"


You spot an unassuming café on the corner of Killigrew Street. Must be new, don't recognise it. You step towards it and pass underneath the striped, cloth awning pitched above the entrance. A droplet slips over the edge and lands on your outstretched tongue. Tastes sweet, thick like syrup. You enter. A bell chimes once as you enter and the door closes behind you. A man in a long, brass coloured overcoat glances across at you beneath his tartan trilby from the table in the corner. His mouth stretches out and upwards. Chet Baker's My Funny Valentine begins to play from above you. Tinny, distant. You ask the dwarf behind the counter for "one baguette of gammon and emmental". The dwarf sashays away behind the beads click clacking, leading to a room behind. The air becomes thick with the scent of copper. "Sweet comic valentine". You drum your nails on the milky glass countertop and look over at the aged and wrinkled female stood next to a pile of what must be nearly 70 cafetières. She doesn't notice you and continues to chew on her hair and wipe the mugs clean using her long, sagging breast. "Your looks are laughable." A cough comes from behind the beads and they vibrate before you. Need gammon. Brush fingers through beads and step through. Nothing but darkness for a while. Then intense light, so bright you squint and see naught but white. Colours fall into place like tetris pieces before you. A blue horizon, a high sun ball, a verdant hillside you stand upon. The dwarf from behind the counter stands atop a marble arch entirely nude, balanced on one foot and holding a bow and arrow (a heart at the arrrows length). Your uncle stands before him and holds a paintbrush between his teeth. His hands are up and with both thumbs and index fingers he's making a square shape in the direction of the dwarf. The dwarf shits and green pus runs down his back leg. Your uncle turns to you, sadness seeping through his stern expression of ambivalence. "Is your figure less than Greek?" You return to the front room of the café. The interior is different. A bar now stands where the countertop was. A throng of lingerie-clad women wind over each other in place of the cafetières. A man wearing a suit, head swollen by bow tie, lifts up his large moustache to ask you. "Would you like anything to drink, sir?" "I'd like some gammon." The man melts before your eyes until a hot, bubbling pool of pink stew lies before you underneath the black fabric of the waistcoat and dress trousers. Sigh. You turn to leave. "Stay little valentine stay." Three fingers on the handle you turn back into the store. The room is empty. No. Beyond that. The room is void. There is nothing. No space. No light. But there is one thing. A pig before you. It holds a fork in its trotter. Gazing at you and unceasingly maintaining eye contact it reaches a trotter back and sticks the fork into the side of its swollen pink flesh. It tears out a chunk of its gut and proffers the trotter in your direction, fork and flesh aloft between its toes. It seems to smile. "Each day is Valentines day."


You enter a HMV. You immediately ejaculate into your trousers as you take in the expanse of multimedia before you. Ed Sheeran's Shape of You plays over the loudspeakers. Three pre-teen goths sway in time with the guitar strums in the merchandise corner. The tallest one picks up a funko pop of Drake and tears its head off with their teeth. Blood appears to spurt from the lifeless toy. Clearly a Sigma goth. "I may be crazy, don't mind me". You advance towards the vinyl section that lies at the back of the store. You pass an aisle of DVDs stacked so high that they disappear into the ceiling beyond your sight. Each one of the DVDs is a different Family Guy series. Something brushes past your foot. You look down and you see a Seinfeld blu ray collection that has developed limbs running frantically. It turns so it's front cover is facing you and Jerry Seinfeld's face (which encompasses the entire casing) screams at you, shattering your spectacles. It turns and continues running. A hole opens up in the wall and a laser shoots out from it, shattering the Seinfeld DVD boxset into pieces. "Grab my waist and put that body on me". You carry on and find yourself in the video games section. A formless lump motions towards you. Vaguely flesh tone, this 3 metre wide and 1 metre tall creature looks to be melting in viscous layers of fat. It hops towards you another foot and you notice as a flap lifts up that there is a face underneath. In the brief glimpse of its eyes you receive unutterable sadness. The casual gamer. You reach your hand into the moist mass of flesh until you hit upon something solid. You wrench your hand back out and vaguely gaze down at the beating heart oozing blood over your fingers before letting it roll to the floor and moving on. "And now my bedsheets smell like you". You reach the vinyl section at last. You flick through 30 copies of Joy Division's Control before reaching a Drake record that is on sale. You carry on flicking through past more copies of Control. 'The 2001 remaster'. 'The 2005 remaster'. 'The 2008 remaster'. And so on. Sigh deep. You look up at the 4 posters of Ed Sheeran surrounding you on each wall. Wait a minute. There is a fourth wall now in the way of the entrance you came in from. Doesn't matter. Knew this day would come eventually. Does for everyone. Ed looks down, grinning viciously. Your erection throbs as his eyes roll around in their paper sockets. "Oh-I-oh-I-oh-I-oh-I". You fall to your knees and vomit blood onto the sticky, gum soaked floor. The rubber flooring starts to bubble and your hands become enveloped, unmoveable. You glance back up at the Sheerans. They're nodding in unison, looking down at you. You feel your asshole dilate. "I'm in love with your body."


You enter your old college building for the first time in 20 years. Army Dreamers begins playing over the loudspeakers lining the corridors and placed in the corners of every classroom and meeting hall. You're greeted by an 8 inch tall, cadaverous looking fossil the width of a pepperami. He wraps a long winding arm around you and scoops you in through the entrance and in one swift motion to the other side of the corridor. You're standing in front of your old English classroom now. 'Our little army boy is coming home from B.F.P.O.'. You reach out to knock and the door simply falls at your touch. Inside is a large, writhing serpent hissing and salivating everywhere. It makes eye contact with you and locked in its gaze you slide forward despite moving no limbs. It embraces you in its mouth and you realise that this serpent represents the late Mr. Beasley who would hold you back in class after all the other students left at the end of the day. 'Morning in the aerodrome. The weather warmer, he is colder.'. You're shat out of the serpent's anus amongst the crushed egg shells of ambiguous birds and flop stenchily into the gymnasium. The walls are lined with 14 year olds. Despite their entirely black faces (they look like they have been scratched out of reality?!) you recognise each and every one as your former year 9 classmates. There is a monotonous buzzing, quiet first but slowly growing in intensity and suddenly it overtakes your senses and you reach up to claw at your ears. As you do this the distorted figures come bounding towards you in jété form. You try to lift your legs to run but you see your feet have been replaced by onions and the curvature of these means you slip around and fall face forward, nose heading treacherously towards the parquet floor. 'Four men in uniform to carry home my little soldier'. You glide straight through the floor and in a vertical 180° find yourself standing upside down on the underside of the room. You are in the headmaster's office. A thickly lacquered oak desk sits in the middle of the room, a disorder of papers covering its surface. A stool with a vertical dildo screwed upright in the centre of it sits behind. An owl perched atop an empty coat rack watches you from the corner. It gestures its head towards the stool. You shake your head in response. It lets out a horrendous screech, shitting all the while. You cry. Sitting down on the stool the wall beyond the desk opens up and behind it are clouds and an endless blue. A trombone falls from above and slips through the sky below you, vomit stretching out from its bell. 'But he didn't have the money for a guitar'. You feel wind all around you. Gold bars begin raining down from above, pummeling your head, making your skull all concave like. 'But he never had a proper education'. Your high school sweetheart appears in the sky, a large disembodied face. She winks at you, her eye twinkling and sending shimmers shooting through the sky around you. She melts like red wax. 'But he never even made it to his twenties'. You feel the stool beneath you drop away and you begin to fall. As you look down you see an eternity of white and blue. You drift for hours. Hours become days. Days become years. 'Oh, what a waste of Army Dreamers'.



You enter a Halfords. Need a windscreen wiper. On your first step into the store you find yourself being propelled forward on a moving belt. Master of Puppets by Metallica is playing all around you. You pass the reception where a necrotic, cadaverous flesh being stands. It's skin slightly translucent and milky white, you can see veins throbbing on their skull and bone pulls at the skin stretched across their cheekbones to the point of incision. Blood trickles over their jawbone. They reach out a withered arm towards you but the belt carries you past them before they stretch far enough to touch you. They look after you as you carry on forwards. "Veins that pump with fear sucking darkness clear". You approach a maintenance section. Huge tools the size of horses painted in blue with a cartoon thumbs up emblazoned on their handles float through the air. A bulging mass of muscles rests between them in a white tank top and denim jeans. You can just about make out two comically small legs protruding from beneath it, arranged in a cross-legged position. An eye pushes itself through the muscles and focuses on your face. A voice from within your mind says, "How can I help you, beta?". You wince and do a fart. The muscles contract and expand. Two huge arms break from either side of the pulsing flesh and land palm-down on the floor. The tools crash down from the air around. The muscles lurch towards you and as each hand slaps against the floor its pace increases. It gets closer and closer, the belt isn't quick enough. Suddenly a klaxon pierces through Metallica and red lights flash all around. A voice booms through the store, "A female is requesting a bicycle setup". The muscles skid on their knuckles and bound off in the opposite direction. "Come crawling faster". Satan falls from the sky and lands on a metal pole. It slides through his diaper and enters his body, erecting his posture straight. He's bawling like a baby with the intonation of a little girly. His horns spin manically. An alarming breeze blows past your face with a whistle and metal poles come flying in, attaching to the pole satan is stuck on. Satan begins sucking all three thumbs. Wheels come rolling in from either side and attach to the poles. Oh look! He's cycling. Yay satan, go satan! He seems uneasy and continues to bawl. Four smaller wheels appear on either side of both of the wheels. Satan's expression solidifies and his nappy evaporates, revealing his bare naked hips. Another four wheels appear, attaching to the four fresh wheels making a descending trail. This seems to embolden satan who is now grinning maniacally, gesticulating at you entirely through brow movements. You respond by bowel movements. Lightning descends from the sky and each shockwave sends babies scattering across the floor. You understand and nod slowly. "Obey your master". You lurch upwards into the sky, pulled by strings attached to your shoulders and limbs, and fly through the air before crashing down in the centre of a circle of chairs. In each of the chairs is a man named Grant with a very slick hair cut and a well fitting Halfords work uniform. His polo shirt is tucked into his trousers and his belt is clean. They tilt their head at you and ask, "How can I help you, sigma?" You open your lips to say, "I need to buy windscreen wipers for my transport modem" but instead of those words written there your bottom lip bounces up and down like a door stopper that a retarded child has flicked. It's okay, the Grants stand up and do a fortnite dance then start a conga in a circle and bounce their heads rhythmically, occasionally looking over to you for approval. You sigh and the strings above you pull you into a standing position. "Master of puppets, I'm pulling your strings". You begin to dance though you play no active part in your movement. You're entirely at the whim of the strings extending up into pure reality. It's thrusting your hands and sliding your legs. You jive and jig and slam and slip. You go wild under the disco lights. Crowds cheer from beyond the big red curtain. You wished you'd taken that offer to build schools for children in Zambia but you felt that becoming an IT technician would be a more secure for your hypothetical wife. Your head jerks back and rolls forward. Your hands press to your hips, themselves gyrating all crazy like. Margaret seemed nice; the grey widow from that speed dating event. Your feet do the two step. Even your toes bop up and down. You could have just kissed Emily when she was staring into your eyes that night at Graham's when everyone had gone to bed and the two of you sat on the sofa discussing jazz records but you were only 17 and you didn't believe girls would ever like you like that. Your knees bend and you leap around the stage like a ballet dancer. "Twisting your mind and smashing your dreams". Your shoulders wriggle and your arms wave like worms. Your chest pulls in then shoots out. Now everyone is booing. Now everyone hates you and they wish you'd just go away. Now everyone is sick of having to look at your disgusting face and hear your miserable jokes about the weather at the water cooler. Tears fall from your eyes like gushing waterfalls. You dance through the pool collecting at your feet. "Blinded by me, you can't see a thing". Two cherubs fly in from the far corners of your vision and nakedly approach you. They attach two miniature windscreen wipers to both of your eyes which squeak and scrape against your moist eyeball, splashing the tears off to the side. You dance and you dance and you dance and you have no control at all. "Just call my name 'cause I'll hear you scream". You tune back into Metallica and realise what's happening to you. You scream into the darkness. Master, you cry. Master, you bellow. Master, you whimper. Far away an object comes into sight, so small it appears as just a dot in your vision. It comes closer and takes form. It's a human. No, it's not just a human. It's everything you aren't. It is better than you in every way. It is smarter. It is richer. It is more attractive. It is more successful. It is a better lay. It has a better body. It is happy. It is your boss at the computer technology company. He has come close enough now that his face is pressed against yours, the cartilage in your nose snapping from the pressure. He opens his mouth and extends a tongue to lap at your lips and penetrate your nostrils before saying, "Just call my name 'cause I'll hear you scream: Master. Master."


You enter your local Chicken Buckets store on a misty Thursday eve. The door tinkles a bell-y well as you pass through it and three 6-foot tall cocks adorned in bright red aprons rapidly turn to face you from behind the counter, their dangling red wattles floating through the air beneath their chin. Sunday Bloody Sunday by U2 reverberates around the store. You slide gracefully along a stream of gravy that takes you up until the counter. "I can't believe the news today". The central cock opens its beak and a scream so immense stretches from it that you see the air between you and the cock shatter and sprinkle onto the floor. You tell it that: that'll do just nicely. You hear a slapping sound and look beyond the cocks to see a small plastic square flapping in the wall and realise that a small naked man has emerged from it and is crawling like a spider towards you. "I can't close my eyes and make it go away". You do a poo from fear and a giant sweat bubble floats out of your eye hole. The greasy humanoid creature climbs up the back of the cock and starts to chew into its neck. The cock shudders and lets out a quack of pleasure. "Broken bottles under children's feet". The manthing looks up and your eyes connect for a brief moment, it remains still like a brick in the wind as you explore each others existence. Then it resumes chewing. Meanwhile the other two cocks slide along back into the kitchen. You see they have roller blades on their paws. Oh okay that's why they glide like that. They skate from either side of the kitchen at astonishing speed into each other, meeting perfectly in the middle and both seemingly disappearing in a flurry of feathers. "Bodies strewn across the dead-end street". An alarm sounds and a haughty pig snorting erupts from speakers in every corner of the establishment. A metal bucket falls from the sky and lands in front of you on the counter. The sliming man pustule wriggles his eyebrows a bit and then leans forward, vomiting acidic chicken flesh into the bucket. The creature pulls the chain and flushes himself and the half-eaten and erotically ecstatic cock down the plug. They spin and spin away and down and wheeeee bye bye chicken and gremlin friends. "But I won't heed the battle call". You press your face deep inside the bile and allow your nostrils to fill with noxious, stinging food grime. A bean emerges from your ear, jumps onto the counter, gives you a thumbs up, then runs quickly into a nearby fire pit that children are dancing around. Upon rising from the chicken rot you feel incredible power and your chest inflates with muscles. "It puts my back up..." Your high-school crush passes the window and for a moment you exchange glances. She sees you there: trousers around your ankles, puke trickling down your pathetic t-shirt that your mum obviously bought you, your toupee is placed awkwardly on your head revealing your genetic shortcomings, your fingers are tiny and look like nik-naks, your shoes are comically huge and swell up where the toes should be, you entirely lack a chin, your thick rimmed glasses bounce atop your round, swollen nose, you don't even have any facial hair you failure. Your newly swollen chest floods with oestrogen and big man boobies emerge. You see her cringe and quickly jump inside a convertible car being man-handled by Jason Mamoa, that guy who got famous for on-screen rape that turned your momma on. "... puts my back up against the wall".




You enter your ancient place of work. Mortar crumbles atop your pate as you swing the #3366f hex code blue door open. Jamie Chown faces you, mouth agape, Return of the Mack coming from deep inside his throat in high fidelity. "Well I tried to tell you so". Apes swing from the ceiling, hooting and flinging their muck as they avoid eye contact with you. A miserable smell emanates from the toilets to your right (the east). "But I guess you didn't know". Your old line manager comes skidding towards you from the far end of the office, feet and legs completely motionless. Carpet scrapes beneath his heels as he comes to a stop before you. Good for us, not for you - he says. His beard now engulfs his entire face and you struggle to look into his eyes but then he evaporates anyway with a high pitched ping. "As the saddest story goes". Your old boss, the CEO, sits in the far corner. You begin to make your way towards him but find yourself confronted with alien arms slapping and pushing you away. A man yells NO and it echoes through the vocal cords of everyone in the room. You look again and your old boss is gone, only dust remains where he sat. "Baby now I got the flow". You're shown to your seat and presented technology by faceless mannequins. As you open your laptop a clapping erupts from everyone in the room. Balloons appear from the abyss. Confetti manifests before your eyes and then rots halfway to the ground into a putrid slop. "Cause I knew it from the start". You look out of the great window at the end of the room. It's dark today. You realise you can't remember the smell of the old woods. The tread of soil is forgotten by your heel, a sore callous there instead from Doc Marten boots a size too large pushed into the concrete. "Baby, when you broke my heart". An old subordinate of yours floats down from the ceiling and leads you into a meeting room. It's your appraisal now, though you've been in the office for just 30 seconds. A screen flashes up with the title: Performance Review. You see your life's memories appear in conceptual form upon the screen. Images of you bawling on the floor of a bathroom in Berlin. Videos of you running naked through a field, forgotten dogs in tow, a summer child. Audio of every time you've made love plays on top of the other. Faces appear: old friends, family you've lost, women you've conquered and the men who've conquered you. It all falls away and you realise you can no longer feel your corpus. You turn to face your manager. He tells you you're fired. "I had to come again".


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